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Step by step, Marieta StoychevaStep by step, Gabriela Jonczy

 

TEXT

Step by step in life we rise,
Ever growing, good and wise;
Never hurry, never stop,
Till we reach the highest top.
Conquering obstacles, fearless and powerful,
Blazing a light path with a song,
Helping our brothers, lending a ready hand,
Constantly righting every wrong.
 
We rise in life by slow degrees,
Learning from nature’s flowers and trees
How in due season her deep reason
Every task fulfills.
 
In winter nature is at rest,
Like a good mother she knows best
When to awaken plants to life,
When birds must build their nest.
(Repeat from “In winter”)
 
In springtime, gay springtime all beings sing;
The forest, the meadows with music ring
(Repeat from “In springtime”)
 
Feel the freshness of the morn,
Be again like newly born,
Blue skies above you, fragrant the air,
Fill you with life, fill you with love – 
Gone is every care.
(Repeat from “Feel”)
 
IDEA

We move towards a bright future by making progress everyday, slowly, step by step. In the language of gesture the right foot extends to the side, then forwards, then moves forwards step by step, making progress in the right direction. The left leg repeats the movement.  In this way we move forwards step by step along the path of life, with mind and heart at work, while the hands on the hips help us maintain stability.

“One stands with the feet together and moves one foot at a time, first to the side and then to the front, and then moves forwards. When the feet are separate.. the energy of the sun comes down. When both feet are together, the earth’s energy is transmitted to the sun.. Through these movements one develops the ability to perceive when the sun is active and when the earth is active.” [Beinsa Douno, Paneurhythmy, p.82]

 

Step by step, Stefka Nikolova (follow-up activities)Step by step, Jill Vandenbussche

 

QUESTIONS

1. Text: How is the step by step movement described in the text? Write in your own beautiful words what is it that we can do step by step.

2. Drawing: Draw an illustration to the exercise.

3. Questions: A pumpkin grows in 3 months and an oak tree in 300 years.  What are the advantages and disadvantages of rapid and slow growth? Give other examples of quick and slow progress and their results.

4. Experience: Tell us of situations and experiences where you have made step by step progress. What is the feeling?

5. Imagination: Imagine while you play the exercise that you are moving step-by-step towards something you desire/ something good.

6. Affirmation: Write your own positive affirmation about Step by Step. For example: Step by step I reach my goal. Every day, step by step, I develop my patience.

 
Step by step, Dinko Georgiev (work of nature in the cave)Step by step, Halim Akcakaya
 
 
 

How Happy We Are, Dinko GeorgievHow happy we are, Marieta Stoycheva

TEXT

What delight is living
Giving and receiving,
Life in adoration
Of the whole creation!
(Repeat from “What”)
 
Life is gift divine,
Beautiful, sublime;
Living powers flow,
Making all things grow.
(Repeat from “Life”)
 
(Repeat from the beginning) 
 
IDEA

 

This exercise is about the ability to appreciate what we have and feel thankful for it.

“One steps forwards and then rocks back and forth from one foot to the other. In the first sequence the hands are free; in the second, the partners hold hands… These movements develop the ability to appreciate nature’s bounties” [Beinsa Douno, Paneurhythmy, p.82]

How Happy We Are, Silviya NedelchevaHow Happy We Are, Jill Vandenbussche

QUESTIONS

1.Text: What makes people happy in the text? Write in your own beautiful words a sentence/ essay/ poem about happiness and feeling grateful.

2.Drawing: Draw an illustration to the exercise.

3.Questions: What is happiness? What makes you happy? What is it that you are grateful for?

4.Experience:Tell us of situations and experiences when you have felt gratitude. 

5.Imagination: Imagine while you play the exercise that you have everything you need – wonderful garment, freedom of expression and movement, loving friends etc.

6.Affirmations: Write a positive affirmation about How Happy We Are. For example: I am thankful for what I have.

7. Quotes: Happiness is a choice that requires effort at times (Aeschylus). Happiness is not a matter of intensity but of balance and order and rhythm and harmony (Thomas Merton). Find your favorite quote for How happy we are.

 
How Happy We Are, Gabriela JonczyHow Happy We are Halim Akçakaya
 
 
 
 

Beautiful day, Stefka Nikolova (follow-up activities)Beautiful day, Marieta Stoycheva

 

TEXT

1:
Every day new blessing brings,
Every perfect day of spring:
Singing waters, bubbling springs,
Heaven and earth with music ring.
Every human heart is gay (glad)
When we dance and sing in May.
Angels spread their glistening wings
Over every soul that sings.
 
2:
Then God whispers in your heart,
“Love divine today you start,
Praise with song the life you’re given,
Bless each soul upon your path,
Ever grateful, ever glad;
Ever grateful, ever glad.”
 
3: Same as 1
4: Same as 2
5: Same as 1
 
 
Beautiful day, Stefanie Vanhulle
 
IDEA
 
We maintain balance and disposition in every circumstance, alone and with our partner. This is an exercise about a stable nervous system that helps us keep our physical, mental and emotional balance so that we behave in a balanced way and make our day beautiful. In the language of gesture this is a balance exercise performed alone and with a partner: while standing on one leg we place hands on hips, or extend arms, or hold our partner's hands.

We lift one leg alternatively up in the air and squat on the other, bending knee. These movements on one leg while the other in the air, give correct outlet of the nervous energy. The volition is strengthened and volition activity is improved. These movements improve the nervous system and magnetize it. In this way one can evaluate correctly his/her action, see what is right and what is wrong and improve it at the same time. (Beinsa Douno, Paneurhythmy, Sofia 1938)

 
Beautiful day, Birgül GökaslanBeautiful day, Veronika Kaneva
 
 
QUESTIONS
 
1.Text: How is the day called in the text?Write in your own words a sentence/ essay/ poem about the art of balance/ about the beautiful day. 

2.Drawing:  Draw a picture of balance. Draw an illustration to the exercise.

3.Questions: What makes a day beautiful? What is balance? Can you keep your balance is you act wrong?

4.Experience: Tell us of situations and experiences when you have kept your balance despite the challenges. What is the feeling?

5.Imagination: Imagine while you play the exercise that you are perfectly in control of your balance. 

6.Affirmations:  Write a positive affirmation about Beautiful day. For example: Today is the most beautiful day of my life.

7. Quotes: The best and safest thing is to keep a balance in your life, acknowledge the great powers around us and in us. If you can do that, and live that way, you are really a wise man (Euripides). Find your favorite quote about beautiful day.

 

Beautiful day, Nevyana MomchilovaBeautiful day, Halim Akçakaya

Acquaintance, Marieta StoychevaAcquaintance, Veronika Kaneva

TEXT

Touch of the hand is blessing your friend,
Through love and friendship two souls will blend.
 
Lighter your burden grows
When, with a friend so close
You dance to music bright
Filled with delight.
(Repeat from “Lighter”)
 
Abundant blessings flow
Through every soul,
You feel the hand divine
Making you whole.
(Repeat from “Abundant”)
 
(Repeat from the beginning)
 
IDEA

In Acquaintance we meet our partner face to face for the first time. We make friends and make a partnership. In the language of gesture this is the first time the partners touch their hands and look each other in the eyes.

"The partners face each other, holding hands, in pairs. Next they turn their backs to one another. This exercise is an organic way to develop self-consciousness. It says that one should appreciate the consciousness of others and see the good in the qualities they have, and the others should appreciate the good in us, in return. When the partners turn their backs, the one to the left is working on the good and the one to the right – on the truth. The center is between them. The center is love. When the partners are face to face, they move to that center, to love. Facing each other they make an ellipse. While back to each other, they make a hyperbola with the movements of their arms. The hyperbola is a method for solving big contradictions in life. It has two halves. This is the person divided, the two poles - male and female. Next, when they unite, the human being is created." (Beinsa Duno, Paneurhythmy, Sofia, 1938, p.81)

 

Acquaintance, Nevyana MomchilovaAcquaintance, Preslava Petrova

 

QUESTIONS

1. Text: Write in your own beautiful words a sentence/ essay/ poem about friendship.

2. Drawing: Draw a picture of Friendship. Draw an illustration to the exercise.

3. Questions: How do you make friends? How many friends do we need? What are friends about? What is the difference between a real-life friend and a virtual, over the net, friend?

4. Experience: Tell us of situations and experience when you have met for the first time one of your best friends. What was the feeling?

5. Imagination: Imagine when you turn face to face that you can glimpse into the eyes of your partner and see all the good in them, imagine they are the windows to his/her soul, two deep wells.

6. Affirmation: Write your positive affirmation on Acquaintance. For example: I can see the good in you.

7. Quotes: Wishing to be friends is quick work, but friendship is a slow-ripening fruit (Aristotle). A friend is someone who sees through you and still enjoys the view (Wilma Askinas). You can make more friends in two months by becoming interested in other people than you can in two years by trying to get other people interested in you (Dale Carnegie). Find your own favourite quote for Acquaintance.

 

Acquaintance, Stefka Nikolova (follow-up activities)

 

 

Joy of the Earth, Gabriela JonczyJoy of the Earth, Stefka Nikolova (follow-up activities)

TEXT

Build a new home where joy can live,
Build it of music life that can give,
Build it of purity, build it of light,
Make it a palace large and white.
 
Let its windows be open wide.
Freely let in the morning light.
Joy will come, that lovely queen,
Readily she will enter in.
So now with music 
your new home begin.
 
Build with gladness. 
Build in the springtime morning.
As in heaven, 
the Sun your home adorning.
 
Start here below, build high.
Let Earth and Sky take part
in all your labor. 
Share then your gifts 
with your neighbor.
A building of joy divine,
Filled with the bright sunshine,
Will be forever thine.

IDEA

The idea of the exercise relates to the joy we have when we overcome some difficulty. This is the moment when we enjoy the fruit of our efforts. After a period of difficulties, working on them and solving them, comes a period when we enjoy what we have achieved. The poem (BG) is about the joy of the Sun and the Earth. In the language of gesture, with hands and feet, pointed to the ground we perform caressing the Earth like sunrays. Afterwards the arms reach upwards and forwards, like the Earth striving to the Sun and staying in its orbit. In the English poem the main character is happy for the new home s/he has and sky and Earth take part in this joy.

Exercises 17-21 are related thematically as a group. In 17.Square we have a problem situation, a task. With 18.Beauty and19.Agility we work to solve it using the hard and the mild approach. In 20.Conquering we solve and overcome it.  With21.The Joy of the Earth we perform the joy of the achieved.

“This exercise begins with swinging motions, first while facing the centre and then with the back turned to the centre. This is the reward for all that we have attained. It is the making use of, and the processing of that which we have received, and the joy of its fruit. These movements are arch-like, magnetic.” [Beinsa Douno, Paneurhythmy, p.80] 

 

Joy of the Earth, Silviya NedelchevaJoy of the Earth, Veronika Kaneva

 

QUESTIONS

 

1. Text: What expression of joy can be found in the text? Why is the main character in the poem happy? Give synonyms of “joy” and “to be happy”.

2. Drawing: Draw a picture of Joy. Draw a picture of the fruits of your efforts (in a given situation). Draw an illustration to the exercise.

3. Questions: What are the fruits of the efforts of the pupil/the student/the teacher? How can you show that you are happy?

4.  Experience:Tell us of situations when you have been happy with what you have achieved, with the fruits of your efforts.  What is the feeling?

5. Imagination: Imagine that: 1. with the swinging movements, your feet and arms are like sunrays caressing with tiptoes the Earth, the grass, the flowers; 2. with the step forward that your arms are like the Earth striving to reach the Sun and remaining in its orbit.

6. Affirmation: Write your own positive affirmation for Joy of the Earth. For example: The fruits of my efforts give me joy.

7. Quotes: It is not how much we have, but how much we enjoy, that makes happiness (Charles H.Spurgeon) Find your own favourite quote on the Joy of the Earth. 

 

Joy of the Earth, Ondrej SmetanaJoy of the Earth, Nevyana Momchilova

 

 

Conquering, Preslava PetrovaConquering, Levi Otte - the good wins over the bad

TEXT

After the night arrives the day,
And after sorrow you are gay (glad),
Still on our way we bravely press
Through happy days and through distress.
 
Life is endless love and beauty,
And to do God’s will – our duty.
(Repeat from “Life”)
 
So, press on, achieve your goal,
Fill with light your hungry soul.
Heaven will help you on your way;
Love will cast all fear away.
 
Happy are those who see the path.
Never waver, never stop – 
Nature helps the daring soul,
Victory means life for the whole.
(Repeat from “Happy”)
 
IDEA

Conquering is also victory. The exercise is about solving our tasks and overcoming, conquering our problems and difficulties. We achieve victory and become masters of the situation.

Exercises 17-21 are related thematically as a group. In 17.Square we have a problem situation, a task. With 18.Beauty and 19.Agility we work to solve it using the hard and the mild approach. In 20.Conquering we solve and overcome it.  With 21.The Joy of the Earth we perform the joy for the achieved.

“Both arms move forwards and upwards as if pushing the air. This represents taking possession of everything which has been attained, mastery of that which we have achieved.” [Beinsa Douno, Paneurhythmy, p.80] 

Conquering, Ondřej Smetana
 
QUESTIONS

1.Text: Finish up the sentence with your own words: “Victory is…”, “I can conquer…”

2.Drawing: Draw a picture of the victorious person.Draw an illustration to the exercise.

3.Questions: How do people who win and successfully overcome difficulties in life, look like and act?

4.Experience:Tell us of situations and experiences when you have solved a task in your life successfully, when you have overcome some difficulty. What is the feeling?

5.Imagination: Imagine while you play the exercise that you push forward the whole Earth in front of you with your hands.

6.Affirmation: Write your own positive affirmation for Conquering. For example: I can overcome any difficulty.

7.Quote: He conquers who conquers himself (Latin proverb).The harder the conflict, the more glorious the triumph (Thoimas Paine). Find your favourite quote for Conquering.

 

Conquering, Nevyana Momchilova

MUSIC

Measure 3/8

Tonality: E minor
Total: 128 measures, 1 measure = 1 movemеnt

MOVEMENT

SP for the exercise: 
The partners face the centre of the circle, one behind the other.
Arms:The arms are folded in the elbows, forearms horizontal and parallel to the body, wrists stretched. The hands are in front of the chest, palms down, fingers together and stretched. The middle fingers of both hands always touch in this position.
Legs: Feet together in standing position
 
Sequence of movements:
1. In place cycle:
First peak of the square. The partners face the centre of the circle, one behind the other, those from the inside circle are in front. 
2. Forwards cycle:
First side of the square. The partners face the centre, one behind the other, those from the inside circle are in front. The movement is in a radius to the centre.
3. In place cycle:
Second peak. The partners have their right shoulder to the centre, and stay one next to the other.
4. Forwards cycle:
Second side. The partners have their right shoulder to the centre, and move one next to the other. The movement is in a line perpendicular to the one in 2.
5. In place cycle:
Third peak of the square. The partners have their backs to the centre, one behind the other, those from the outside circle are in front.
6. Forwards cycle:  
Third side of the square. The partners move with their backs to the centre, one behind the other, those from the outside circle are in front. The movement is in a line perpendicular to the one in 4
7. In place cycle cycle:
Fourth peak. The partners have their left shoulders to the centre, and stay one next to the other.
8. Forwards cycle:
Fourth side. The partners have their left shoulders to the centre, and move one next to the other. The movement is in a line perpendicular to the one in 6.
 
Movements 1-8 outline a square. They repeat from measure 65 to 128 of the music.

FP for the exercise: same as SP but palms forwards. After the exercise is over the arms go by the sides of the body. Correct performance would bring the partners back to their initial positions on the circle (from the beginning of the exercise)! 

 

IN PLACE cycle

 

Square, in place movements
 
SP = SP for the exercise.
Before the first performance palms are down. Before any next performance of the cycle palms in SP are forwards.
1:
Arms:Palms turn down with middle fingers touching (during first performance they are down since SP). Arms unfold in the elbows horizontally forwards and sideways and move to a horizontal position to the sides, stretched, palms down, fingers together.
Legs:The right foot moves sideways to the right with stretched knee, and touches the ground with tiptoes.
Duration:one measure
2:
Arms:Arms retrace their way to SP.
Legs:The right foot retraces its way to SP with stretched knee.
Duration:one measure
3:
Arms:Arms unfold in the elbows horizontally forwards and sideways and move to a horizontal position to the sides, stretched, palms down, fingers together.
Legs:The left foot moves sideways to the left with stretched knee, and touches the ground with tiptoes.
Duration:one measure
4:
Arms:Arms retrace their way to SP.
Legs:The left foot retraces its way to SP with stretched knee.
Duration:one measure
 
Movements 1-4 repeat.
FP = SP of the exercise, palms down.
 

FORWARDS CYCLE

Square, forwards movements

SP = SP for the exercise.

1:
Arms:Palms turn forwards with middle fingers touching (below the chin). Arms unfold in the elbows vertically up in front of the face and move to a horizontal position to the sides, stretched, palms forwards, fingers together.
Legs:Step with the right foot
Duration:one measure
2:
Arms:Arms retrace their way to the SP, but with palms forwards.
Legs:Step with the left foot
Duration:one measure
 
Movements 1 and 2 repeat 4 times, and for the legs 7 and 8 are different:
Square, turning 90
 
7:Perpendicular step forwards with right foot. Tiptoes point in a direction perpendicular to the direction of movement. 
The body begins a quarter turn to the left (90°).
 
8:Square, 90 turn -endThe left foot moves next to the right one (in the new direction).The body finishes with the quarter turn to the left (90°). 
 
SP = SP for the exercise but with palms forwards.

MUSIC

Measure: 3/4
Tonality: B minor
Total: 90 measures
1 measure = 1 movement

MOVEMENT

SP:
The partners face the centre of the circle, one behind the other.
Arms: The left arm is stretched to the left side horizontally. The right arm is in front of the chest, folded in the elbow and close to the body, its forearm parallel to the left arm. Palms are down, fingers together, wrists stretched.
Legs: Feet together in standing position. The toes point towards the centre of the circle.
 
1:
Turning to the right to a position forwards in respect the movement in the circle.
Arms: Both arms outline descending semicircles down and to the right side while simultaneously the body turns to the right. The arms move parallel, stretched, with palms down, and reach horizontal position forwards.
Legs: The right foot moves to the right, toes in the direction of the movement in the circle. It steps down and the weight of the body gradually transfers to it. In the process of weight transfer the heel of the left foot takes off and the foot rotates on toes to the right (forward). Toes never lift from the ground.
Duration: 1 measure (3 beats)
 
2:
Movement forwards and beginning of turning to the right with one’s back to the centre.
Arms: In the first half of the movement the elbows fold, the hands move horizontally towards the chest and the middle fingers touch in front of it. In the second half of the movement the hands move down and to the sides in semicircles to a horizontal position to the sides, palms down. Simultaneously with extending the arms to the sides the body turns a little bit to the right.
Legs: In the first half of the movement the left foot moves to the front and steps. In the second half of the movement the weight of the body transfers to it while the right foot remains on toes to the back.
Duration: 1 measure (3 beats)
 
3:
Turning to the right continues.
Arms: Arms make undulating movement imitating the flight of a bird. The wrists are being the most active: go up above and down below their horizontal position.
Legs: The right foot makes a step forward perpendicular to the forward movement in the circle, its toes pointing opposite to the centre of the circle. The body continues its turning to the right (outside), with one’s back to the centre.
Duration: 1 measure (3 beats)
 
4:
Turning movement to the right comes to and end.
Arms: Arms make the same undulating movement imitating the flight of a bird.
Legs: The left foot makes a step to the sides of the right foot and parallel to it, toes pointing opposite to the centre of the circle. The weight of the body transfers to the left foot, the right is to the back. The toes of both feet point out. The turning to the right (outside) comes to an end; one is completely with one’s back to the centre. 
Duration:  1 measure (3 beats)
 
5:
Movement with one’s back to the centre of the circle.
Arms: The right arm extends in a position horizontal to the right side. The left arm moves down and to the right, and folds in front of the chest, forearm parallel to the right arm.
Legs: The weight of the body transfers to the right foot, while the front left foot remains on toes.
Duration: 1 measure (3 beats)
 
Movements 1-5 repeat symmetrically (left-right) with turnning movement to the left, towards the centre of the circle.
 
Note: Movement 6 and all consecutive movements 1: There is no step forwards. Only the toes of the forward positioned foot turn to face the direction forward in respect to the movement in the circle. 
 
FP = SP

 

 

VERSIONS
 
For Arms movement in 5 (and symmetrically: in 10 and SP)
The right arm folds horizontally in the elbow with palm down, in front of the chest. Simultaneously the left arm folds  downwards and to a position in front of the chest with palm up. The hands touch, palms one against the other, and slightly hold with the thumb of each on top of the other.
 

MUSIC

Measure: 3/4
Tonality: B minor
Total: 90 measures
1 measure = 1 movement

MOVEMENT

SP:
Arms: Arms are down by the sides of the body. 
Legs:  Feet are together in standing position.
 
18 Beauty, right
 
1: 
Arms:  The right arm moves upward and forward to 45˚, with hand upward and forward, palm down. Simultaneously the left arm moves down to the back to 45˚, with hand down to the back, palm upwards. Both arms are stretched in the elbows and in the wrists.
Legs: Step forward with the right foot. The weight of the body transfers to it with a slight swing, so that the left foot lifts up a little from the ground at the end of the movement.
Duration: 1 measure
 
2:
Arms: The arms keep their position: the right is 45˚ up, the left is 45˚ down to the back.
Legs: With a slight swing the weight of the body transfers to the left foot and it steps down some inches forward in respect to its initial position (making a tiny step, but still remaining to the back). Then the right foot lifts up a little from the ground.
Duration: 1 measure
 
3:
Arms: The arms start a movement of change of position. The left arm starts towards 45˚upward and forward, the right starts towards 45˚down to the back, stretched.
Legs: The right foot steps down some inches forward, in respect to its initial position.
Duration: 1 measure
 
Movements 1-3 repeat symmetrically (left-right) in movements 4-6:
18 Beauty, left
 
4:
Arms: The arms continue their movement and the left reaches upward and forward at 45˚, the right down to the back at 45˚.
Legs: Step with the left foot. The right foot lifts up a little.
Duration: 1 measure
 
5:
Arms: The arms keep their positions of 45˚.
Legs: The right foot steps some inches forward in respect to its initial position. The left foot lifts up a little. 
Duration:  1 measure
 
6:
Arms: The arms start a movement of change of position: the right up, the left down.
Legs: The left foot steps some inches forward in respect to its initial position.
Duration: 1 measure
 
Movements 1-6 make up a cycle which repeats 15 times
 
Final Position = return to SP.
 
 
VERSIONS:
 
For the palm of the back hand: the palm turns to "face" the body (the whole arm remains straight from the shoulder to the tips of the fingers).

 

Agility, Stefka Nikolova (follow-up activities)Agility, Veronika Kaneva

TEXT

Start with song the new born day;
Song is light upon your way.
(Repeat from “Start”)
 
Like butterflies we spread our wings,
Raising each hand a new blessing brings.
 
Graceful our bodies thus will grow
Golden seeds of future beauty now we sow.
(Repeat from “Graceful”)
 
Lively as when brooklets flow,
Thus our minds and hearts will grow,
So we dance each day to be graceful, beautiful and free.
(Repeat from “Lively”) 
 
IDEA

 Agility relates to the ability to solve our task as set in exercise 17 “Square” using the “female” approach. We perform softness, tenderness, gentleness, mildness, tact, care, flexibility. We try to be diplomatic, agile, in the language of gesture we look from all perspectives, turn in all directions, arms and hands make undulating movements, fold and touch. Some examples of the soft and flexible approach:

  • water, magnetism  in nature;
  • using mild, kind words;
  • in relationships showing mildness, tactfulness;
  • approaching an issue by getting around before you reach to the point.
Exercises 17-21 are related thematically as a group. In 17.Square we have a problem situation, a task. With 18.Beauty and 19.Agility we work to solve it using the hard and the mild approach. In 20.Conquering we solve and overcome it.  With 21.The Joy of the Earth we perform the joy for the achieved.

“This exercise begins with fluid movements of the arms and legs, first facing the centre of the circle and then turning with your back to the centre. This exercise is a continuation to the previous one – soft, curved lines are at work. The feminine principle that processes the square is at work here. This is magnetism.” [Beinsa Douno, Paneurhythmy, p.80]

 

Agility, Lenka SzotkowskaAgility, Gabiela Jonczy

 

QUESTIONS

1. Text: What are the imahes of agility in the text? Write in your own beautiful words a sentence/ essay/ poem about softness, mildness, flexibility.

2. Drawing: Draw an illustration how you/an animal/a plant overcomes an obstacle on the way (a high wall, water etc.) by going around it. Draw and illustration of the exercise.

3. Questions: How would you describe the traditional “female” approach? What are the “female” and "male" qualities in everyone? What can water achieve with its softness and flexibility?

4. Experience: Tell us of situations and experiences when you have solved a situation by being mild and flexible. What is the feeling?

5. Imagination: Imagine while you play the exercise that you are like a butterfly that can fly over all obstacles on the way.

6. Affirmations: Write your own positive affirmation for Agility. For example: I can be mild and flexible.

7. Quotes: Nothing is softer or more flexible than water, yet nothing can resist it (Lao Tzu). Find your own favourite quote for Agility.

 

Agility, Petka (Petra Godulova)Подвижност, Мариета Стойчева

 

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